the night circus

by Erin Morgenstern.

I don't know yet, what to say about this book. Apart from the obvious fact of its beauty and magic. Apart from the probability of its being one of the most stunning pieces of writing I have read this year.  

It pulls you in. From the very first line of the book, it pulls you in whether or not you want it, whether or not you're prepared. It spins you around like a dancer who knows what she's doing. Ever if you don't, you let her. 

She sweeps you away like a storm.


lalala

mat's coming back, ladies and gentlemen!

i'd deny it anywhere else, but here i'm going to sing it!

I'M SO EXCITED!

filler

Um, okay I know I've been slacking off.

I haven't updated my list in a month, I think. I will. Soon.

BUT. I'm reading Infinite Jest (David Foster Wallace) and I want to write about it. So may be I will. If I'm not too lazy.
 
In the mean time, do read Action Philosophers! by Ryan Dunlavey and Fred Van Lente. Funfunfun, it is. (Also by the same people is Comic Book History of Comics which you should get your hands on if you can).

And I tried reading Steven Erikson, which I gave up the first time thirty pages in; but pursued later because of infinite boredom. Not even infinite boredom could make me go beyond the hundredth page though. Man really needs to learn how to form sentences. Occasionally use verbs, prepositions, perhaps somehow connect two words in a sentence, you know? Make it sensible? I mean. I'm not a grammar Nazi or anything, but respectable sentences are definitely appreciated. Sigh.

fractal prince

by hannu rajaniemi

Did anyone else think this one was sooo-hoo much nicer than the first one?

Which is not to say the first one wasn't nice, it absolutely was, but y'know, this one seemed... older. The bits that made sense made better sense.

No?

May be just a second-book-so-you-know-what's-happening-already syndrome?

I'll accept that. :)


Anyway, loved it.

about (again)

embodying / control / engendering. 

sex. sexuality. boundaries. spaces.

ugh, so many things i want to write about but can't because i just don't have the time: pinki pramanik's girlfriend, the guwahati incident, women in (pub)lic spaces, the clamp down on drinking in mumbai, delhi and hyderabad, standing on a road in the delhi rain while getting wet in a semi-transparent yellow shirt to get an auto, rethinking my own feminism and why they're all taking me back to the same readings i did over a year ago.

and here i am, struggling with a stupid dissertation that i don't even care about anymore. sigh.

where the sidewalk ends

by Shel Silverstein

My most awesome girlfrandz gave me a brand spankin' new book full of Shel Silverstein poems and drawings for my budday, and even though I have a marathon to write, I find myself unable to tear myself away from it!!

Here's the first poem that I have pink-post-it-ed:

Where the Sidewalk Ends

There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white
And there the sun burns crimson bright
And there the moon-bird rests from his flight
To cool in the peppermint wind.

Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk white arrows go
To the place where the sidewalk ends.

Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.

:)

d'awwww!

Lookit! A Shel Silverstein Comic Poster!! 
:D


(Also, while we're still on Zen Pencils - Jump.

pamuk

:)

i'm going to *have* to read museum of innocence, now.
(post-july 25th obviously - but still, it's going to be my third time trying to read pamuk. i liked my name is red, even though it was quite tedious. i gave up on snow about seventy pages in.)
but i'm going to *have* to read it. so help me.

hiatus

The blogger who used to post here is going on a break. She needs to finish her stupid dissertation, and can't muck about and read fiction. Of course it goes without saying that if indeed she does read any fiction before the 7th of July (which is her own deadline for finishing her last two chapters) she will say that she has, and the readers of this blog (if any) are to land up in her house and beat her up.

Regards,

Sita's Conscience.

the good muslim

by Tahmima Anam

i.

Religion throws me off balance. I have never really known how to confront it, or behave around it. Even the mildest expressions of religion that is in everybody's everyday life - lighting a diya, someone saying a prayer before their meal, people crossing themselves or closing their eyes when they're near a church or a temple, not eating meat on a Thursday, or a Friday, or no-rice-Saturdays. (Or even don't-cut-your-nails-at-night-or-during-dussehra-or-on-Tuesdays).

I'm always conscious of myself around religious people - sometimes my mother, when she decides to fast on a Friday or insists that I "at least see God" before I leave; sometimes my best friends, when they have to do a pooja, or go to Shirdi, or Tirupati. The smallest things about people next to me in buses or on the metro - I secretly count the number of people wearing too many rings on their hands, or tying threads on their hands (uh, Ekta Kapoor!) - only to wonder how much belief and strength they get from these little things, or what they think of people like me. 

I know that it's a bit politically incorrect of me to say this, but sometimes religious people also comfort me. If I have to take an auto after 8 or 9 in the night, I feel safer if the driver is wearing a cap, or there is a sticker of some God or the other in the auto. When I'm really nervous about something, or worried about something in my life, it makes me feel much more at ease if my best friend tells me she's praying for me. The same morality that startles me, also puts me at ease - and this isn't something I know how to reconcile. 

I write these things for two reasons - one, because of some events over the past couple of weeks, I have been trying to come to terms with Religion and what it might mean to me ('R'eligion - what people make of it, why they are religious in whatever ways they are religious, the morality that comes from being religious, the ability to believe in and trust something supernatural, and like I've already mentioned, the strength that one derives from religious faith). The other reason, obviously, is Tahmima Anam's 'The Good Muslim.'

ii. 

(I'm going to give away some details about the book in this section, so if, like me, you're not a fan of knowing anything about the book before you read it, you should skip this section.)

The book is set in two short periods of Bangladesh history, 1972 - 74 and 1984 - 85. One was immediately after the war, and the other is about ten years later. It follows Maya Haque through her time in Rajshahi, a village in North Bangladesh, and her return to Dhaka.

Through the book, Maya is struggling to come to terms with her brother changing from an Elvis loving, Rilke and Fitzgerald reading, guitar playing, rocking and rolling, sometimes drinking, having a favorite pair of old jeans brother - to a cap-wearing, religiously preaching, book-burning stranger whose transformation she can't even begin to understand or come to terms with. From being her oldest friend and most beloved older brother, he becomes nothing more than a stranger. In the beginning, she mocks him and taunts him for his finding his God and becoming a preacher, and then she runs away from it. When she comes back, she looks for the brother she used to know in the man who now stands in front of her, but doesn't see the man in front of her as someone who could be her brother. 

This was, for me, the greatest struggle that she has to go through. Her cynicism towards religion is founded in her experience of the riots, of people raping and burning and being raped and killed everywhere around her in the past  because they were Hindu, or Muslim (which is only a lingering shadow in the book - it only briefly mentions these pre-1972 events, may be in one or two sentences, but they make their definitive mark on the book). 

But her sense of unease around increasingly religious people is what kept me drawn to the book, and what I identified with the most. ("Maya perched on the edge of a tightly upholstered char, Saima's Alhamdulillah was bothering her; once upon a time they would have laughed at people referring to God between every other sentence. But now everyone had caught it; just this morning, she had been to the vegetable man, and after she had paid him and taken her leave he had said Allah Hafez. 'What's wrong with the old greeting?' she had replied sharply. 'Khoda Hafez not religious enough for you?' ")

iii.

If I was to have read this book, say, three years ago, I would have come out of it very differently. But I've grown to see how religion (and faith, mostly faith, but faith that comes from religion) gives people much to believe in and move forward with. I was going to mention field work, but I'm instead thinking of how much stability it gives even to my mother. C often refers to it as positive energy, and how it is this energy that one really draws from when one talks about faith and strength that comes from religion.  

But there are intolerances, small or big, of other people's beliefs (people refusing to let their children live with roommates of another religion, not letting houses out on rent to people of other religions, not wanting to marry someone because they're not religious or differently religious, refusing to attend weddings or important milestones in people's lives because of religion) that most religious people I know have at some level or the other.

And while I don't comprehend the first, I simply cannot sit and take the second. And it is these two things together that throw me off balance. 

Honestly, I just finished reading this a couple of hours ago, so I'm going to be stuck with these things in my head. But the best way to figure out what one is confused about is to write it, and so I did.